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155 lines
6.4 KiB
Text
155 lines
6.4 KiB
Text
.LP
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.ce
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.ps 16
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.CW
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SELECTION
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.R
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.ps 8
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.CW
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tags: 2179, massive_fictions, rimbaud, stanley
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.R
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.PP
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.ps 10
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All of this was not going to work for him anymore. It was coming
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down around his ankles. His output had exceeded his company's
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resources, and his private prospects were taking a nosedive as well.
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He could hardly pay himself to write. Without that weekly stipend from
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MASSIVE FICTIONS\f(CW™\fR,
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he wasn't going to make rent on the storage facility
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for his collections. One unwelcome change blurred into another, and
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in short order, the accumulated results were overwhelming to
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contemplate.
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.PP
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.ps 10
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Rimbaud passed Stanley on the fifty\-fourth floor and tipped his
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hat. Stanley was probably off to tinker with more of his\(emwhat had
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he called them\(em\fImartial simulations.\fP What a thought; larping about
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as if to train for war. But, this was Stanley, and, after all, this
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was one of Stanley's interests. No harm was being done, in any case.
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.PP
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.ps 10
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As he navigated the spiraling path, the requisite plying of a new
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editor at some other rag\(emwhat other rags were even left\(emwas very
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much on his mind. A crease formed across his forehead as he alit
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gently on the elevator, negotiating the physical geometry with his
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body whilst simultaneously evaluating potential budget configurations
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in his mind. Duality. Synchronous operation. He watched the frothing
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crowd of his countrymen, churning to and fro along the pathways below.
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They resembled nothing so much as beer suds sloshing in a bed of
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potting soil. And it was a very long way down. Petals\(emfloors\(emwhipped
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by silently, causing the sun to blink, languidly, somewhere
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near the horizon.
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.PP
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.ps 10
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Rimbaud stood amongst his fellow salarymen and mused that,
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self\-evidently, the architecture of their day would have to be
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considered superior to that of any previous era. From his studies he
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recalled that, in centuries past, forays had been made into evolving
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wholly organic super\-structures, but that it had taken the better part
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of a four hundred years\(embringing the public state\-of\-the\-art almost
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up to date with that of his own great\-grandfather's famous,
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proprietary work\(embefore emergent plant mimicry was fully integrated
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into the mainstream of public works. While it was true that most
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citizen hovels\(emeven today\(emevinced the brute angles and sharp
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corners characteristic of the twentieth century's most prolific
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architects (perhaps out of some sense of fealty to tradition, since,
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structurally, such arbitrary designs were no longer strictly
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necessary), in his own lifetime he had witnessed the marvelous
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transformation of municipal buildings from great, lumbering and
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inefficient
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.I
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storage containers
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.R
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into organic, plebeian tangles of
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smoothly curving branches, stems and flowering foyers. Why, his own
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quarters were situated within just such a fractal space! Rimbaud had
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to remind himself that the upper\-most levels of these buildings, or,
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more appropriately,
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.I
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growths,
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.R
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were still reserved for the business
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classes and their various concerns. He observed with some satisfaction
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that these concessions were small sacrifice when weighed against the
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general improvements to the Commons such commerce inevitably yielded.
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The slums were already starting to grow over.
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.PP
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.ps 10
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The express elevator distended and Rimbaud disembarked towards an
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identification booth. He slid into a vacant pod and hooked his legs
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around the seating apparatus as his entire body was rotated into
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position. From there, his awareness shifted back to Home. Thus
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transported, he prepared his evening meal to the accompaniment of a
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historical recording. His pleasure was the Existentialist literature
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of the mid\- twentieth century, and he preferred to track the audio
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wholly eyes\-free while handling his cooking materials. Sophistry,
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perhaps, but well within the curve of the culturally acceptable
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plotted for him by his trusted
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.I
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almanack.
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.R
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.PP
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.ps 10
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Pulsing from the far counter came a notice that his tuna had
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thawed. Rimbaud slid to the other side of his pod and began eating
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pieces of raw fish. From an adjacent curved plate he selected a number
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of additional food items to link into his meal. By running a finger
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across the stamen of the plate, Rimbaud seasoned the course to his
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liking. He chose some vegetables and elected to submerse them in one
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half\-ounce of wood\-aged high\-fructose corn syrup. He flattered himself
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that his tastes were truly refined.
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.PP
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.ps 10
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The 8\-bit alarm drones Rimbaud had programmed for eight o'clock (a
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clever recursive reference, he had thought) sounded, softly, and he
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knew then that it was time to replace the dishes within their folds
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and return to work. Rimbaud made a gesture towards the door, and the
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sunlight streaming in from above shifted, gave way to the interior of
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his encephaloid pod. Identification. He untangled his legs and got
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himself up, running a hand through his mussed hair and replacing his
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felt cap. He smoothed down his jacket and made his way back through
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the forest of salarymen, climbing once again into the express
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elevator. As he flitted up the stem of the building, he thought to
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himself that his lunch periods seemed shorter and shorter as his life
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progressed. As he grew objectively older.
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.PP
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.ps 10
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Finally reaching his objective at the very top of the building,
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Rimbaud took stock of the vast garden spread out across the city
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below. Millions of his fellow countrymen were busy going about their
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daily tasks, worker bees distributing commercially registered pollen.
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None questioning themselves as he did. None of them devoting the scant
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moments of their free time to comparing themselves unfavorably with
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American negroes of centuries past. Was his toil really so
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objectionable as all that? Such nonsense that he allowed to enter his
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mind.
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.PP
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.ps 10
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Rimbaud then reflected upon his appearance, and suddenly he was
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grossly ashamed. He wiped away the stray rivulets of sweat from his
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forehead and pulled the end of his antique
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.I
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almanack
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.R
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slightly out of
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his breast pocket, cater\-corner, plainly into the view of casual
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passers\-by. Moribund regrets of servitude would not cast a pallor upon
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his demeanor.
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.I
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I have a choice in this matter,
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.R
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he thought.
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.I
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My suffering is mine, and mine alone.
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.R
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.PP
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.ps 10
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As the elevator distended once more, Rimbaud was bathed in the
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bright, sympathetic air of photosynthesis made comprehensible.
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.PP
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.ps 10
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As was his usual habit, he pushed the negative thoughts from his
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mind, choosing instead to consider the significance of beautiful
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flowers.
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